Our kilns don't usually fire reds well, so this mug is reminiscent of a murdered cow. Pleasant for tea! |
Step one: Get your pieces ready! You're going to need a hollow coil about an inch and a half think (I used an extruder for this, but you can hand-roll these and hollow them out later.) and two rectangular slabs, one a thinner rectangular shape than the other (these will be the main sides. You can make these as tall or as wide as you like, as long as they are the same height as what you make your coil). I used a slab roller for the slabs, but you can use a simple rolling pin on top of two rulers. (Note: the thickness of the clay should be at least a couple of centimeters wide. Anything less than a centimeter will break very easily!) Shape the rectangles so it has a slight bump or curve to both of them, and the small piece can fit on top of the big piece (if you're having trouble, look at the picture below of all the individual pieces). Note: If the clay dries past the stage you need, you can always wet it with a damp sponge or spray bottle.
Step two: Wait until the outside of the clay is at a leather-hard state (that's as far as being pretty stiff but not as far as the clay starting to change to a lighter color). Cut the coils with your wire tool, straight up the middle and being careful to split them evenly. If the coils you made are not hollow already (like using an extruder), now's the time to hollow them out. Take a round-shaped trimming tool and gently and carefully take the 'guts' out of the coil.
Now, you should have pieces that look like these:
These pieces will be enough to make five flasks. |
Step four:After the sides are joined by slipping and scoring, you're going to want to take another, non-leather hard piece of clay and press it into each side (inside and outside) of the joined parts of the structure. If there's too much slip, wipe it off before pressing. Rub the clay in, smoothing it, so that it gets into all the parts you couldn't join together before. I usually like to finish it off by smoothing it with a slightly damp round sponge.
Step five: Now that you've got your structure, it's time to make the top and bottom. Roll out another slab big enough to make a top and bottom. What I do here is trace my structure lightly with a needle tool and then cut it out. Repeat this again until you have one top, one bottom. Bring these pieces, being careful not to smoosh or stretch them, to a warm, dry place to get leather hard (and it might be a good time to put your structure into a plastic bag so it doesn't get past leather hard).
Step six: Slip and score the edges of the structure and around the sides of the top and bottom as in step three and attach them in the same manner as steps three and four. Put it back into the plastic bag.
Step seven: Take a long, thin rectangular shape of slab (not leather hard - yet) and wrap it around something small and round, like the end of your bigger, round trimming tool (that's what I usually do). Slip and score the edges that meet and attach them together. Wait until it's leather hard, then score the edges of one side of the loop.
Step eight: Take the structure out of the bag, and place the loop in the center of one flat end. Trace the inside circle, then cut it out with the needle tool, being careful not to let the circle of clay drop inside. Score this part around the empty circle of the top of the flask, then wet and add slip to attach it together, after adding clay like steps three and four again.
The finished and smoothed flask in its leather hard stage. |
Step ten (optional): you can add designs now, if you like. I've carved designs out of the front, and I've added some designs out of other slabs and carving them as well. Here are some examples of designs I've made:
This is my boyfriend Ryan's flask he will be receiving to use at the Steampunk World's Faire 2012. Has not been bisque fired or glazed. |
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